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Two yellows I love, both Micheal Hardings.
Naples Genuine light Yellow Ochre. Most Naples Yellows are a mixture of a white and a Cadmium Yellow. Micheal Hardings is not. It is a clear light yellow, a tad cool. It is great for lightening colors while not making them ashen, especially reds. It is exquisite in light skin-tones as well. |
Yes, the one that I am using is from Williamsburg. On the color chart it's Naples yellow Italian, PBr 24, chrome titanate.
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http://www.michaelharding.co.uk/colour-info.php?cID=131 |
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OK, I do have a little extra money today and some time with the computer. I'll go order some Michael Harding paint. :) PS. Yes I was just reading about the Michael Harding yellow from your link, and the Lead Tin Yellow that I got from Doaks will react with the metal on the pallet knife also, so it's probably the same chemical. It's several years old now so I need some more. |
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Yes indeedy! It is good old lead tin yellow! You will love it. It goes a long way. How does it react? I do not seem to have had a negative result with it using my cheapo palette knife. |
Just reading their description of Michael Hardings cremnitz white ground in walnut oil has gotten me all excited. I have long been a fan of walnut oil and as I have said before, it's the feel under the brush that makes the difference. It appears that they also know that to be true.
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Hi to all, can I also bring to your attention the amazing Harding's lemon yellow ? A cool cool yellow that goes toward green with a good enough tinting power (not similar to the chart on the website) beautiful in mixes and great for accents. I think that it's a pure colour that can't be obtained from mixing without loosing chroma.
Worth having. Ilaria |
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