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The main reason, however, I don't get too involved in critiques, is that I view the problems people are having as a result of a gross misunderstanding of what I consider to be the keystones of good realistic painting.
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If you think that is the case, why not share your wisdom with us more often? All help is appreciated. A forum of course isn't the ideal teacher-pupil situation, but this is the medium we use, why not try harder to make it work?
Peter