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Old 03-17-2002, 10:38 PM   #10
Karin Wells Karin Wells is offline
FT Pro, Mem SOG,'08 Cert Excellence PSA, '02 Schroeder Portrait Award Copley Soc, '99 1st Place PSA, '98 Sp Recognition Washington Soc Portrait Artists, '97 1st Prize ASOPA, '97 Best Prtfolio ASOPA
 
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Joined: Jun 2001
Location: Peterborough, NH
Posts: 1,114
As far as O.M. drawings go, I'm suggesting that you choose any drawing that you like. But also choose according to that which you wish to learn (i.e., Ingres sensitivity of line, Michelangelo's anatomical renderings, Veronese's composition, Leonardo's halftones....whatever....).

Good composition is certainly an important component of great art and repeated exposure to it will help the principles sink into every fiber of your being. Being around great art (OM's) is sort of like having the good fortune to grow up listening to good classical music...you're bound to recognize and have a greater appreciation than one who has just been introduced....

Frankly, I never heard of the sight-size method until recently...I trained my eye and hand by copying. I doubt if you can develop a bad habit drawing anything and everything without learning the sight-size method first.

When I suggest that you copy, I do want you to reproduce the tones and shapes and not be a slave to re-creating the drawing line-for-line. I am suggesting that you trace for proper proportion, anatomy, etc.

If you post, I think that it should be in the Critique section, but be sure to say that it is meant to be a copy and also post the original. I don't know Harold Speed's book, but loved G. B. Bridgman's "Complete Guide to Drawing from Life".

Good luck!
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