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Nathan Cremer · 03-28-2003, 11:39 AM

Mari,

Thanks for the response. I looked more into the 3-Value Massing Theory from Peggy's posts. I've seen it mentioned here before, and I will pay more attention to it in future pieces. It does seem to be a great tool, in simplifying the composition, that doesn't get used as much these days.

Chris,

That's sounds like a good suggestion. It seems I get a little impatient when there's a model in front of me. I feel like I have to finish in a quick amount of time. I'll give this method a shot next time I do this technique. I've seen you handle it in a very convincing way. Thanks.

Michele,

Thanks for the input. There is actually a window right where we sat. The lighting on this was from a lamp. If I go there at a certain time I can get a good natural light coming through. I understand what you're saying about the light direction. This portrait isn't a flattering one, although, I would like to keep some of that roughness to her face. It adds character, I've been told. But, at the same time, I don't want to over-do-it creating too much contrast and hard lines.

03-28-2003, 11:39 AM	#11
Nathan Cremer Associate Member Joined: Nov 2002 Location: Mt. Orab, OH Posts: 38	Thanks for the advice Mari, Thanks for the response. I looked more into the 3-Value Massing Theory from Peggy's posts. I've seen it mentioned here before, and I will pay more attention to it in future pieces. It does seem to be a great tool, in simplifying the composition, that doesn't get used as much these days. Chris, That's sounds like a good suggestion. It seems I get a little impatient when there's a model in front of me. I feel like I have to finish in a quick amount of time. I'll give this method a shot next time I do this technique. I've seen you handle it in a very convincing way. Thanks. Michele, Thanks for the input. There is actually a window right where we sat. The lighting on this was from a lamp. If I go there at a certain time I can get a good natural light coming through. I understand what you're saying about the light direction. This portrait isn't a flattering one, although, I would like to keep some of that roughness to her face. It adds character, I've been told. But, at the same time, I don't want to over-do-it creating too much contrast and hard lines. __________________ [email protected]