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Originally Posted by Chris Saper
Luscious skin tones, Valentino. Congratulations!
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I love rendering the flesh tones.
As you can see from the wip shots, in this work I employed layered approach. The skin tones were achieved by both glazing and scumbling in several succesive layers.
Looking at the portrait paintings throughout the history, I noticed that in my favourite ones very important role plays the cool-warm contrast. Some artists, though, use only warm colors