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Cools
Despite all the tests etc the companies do, I desire to see more purples and blues in the shadows. I feel natural light does this better. Many modern painters work seems hot to me-I blame electric lights. These old artists had nicer cools. What do you think Bill and Michael?
When I paint outside on cloudy days the mids and cools are lovely. I'm designing my lights for my new studio and all this is most interesting.
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