View Single Post
Old 02-20-2005, 12:04 PM   #37
Marvin Mattelson Marvin Mattelson is offline
SOG Member
FT Professional
'04 Merit Award PSA
'04 Best Portfolio PSA
'03 Honors Artists Magazine
'01 Second Prize ASOPA
Perm. Collection- Ntl. Portrait Gallery
Perm. Collection- Met
Leads Workshops
 
Marvin Mattelson's Avatar
 
Joined: May 2002
Location: Great Neck, NY
Posts: 1,093
Quote:
Originally Posted by Elizabeth Schott
I don't mean this to sound like an incredibly stupid question, but... on a very nice day does anyone just roll their easel and reference (not live models) outside?
Beth, as the saying goes: there's no such thing as a stupid question. I think it would be ill advised to change the source of light you're working under in the middle of doing a painting. The color relationships would change to some degree. To what degree, would depend on the quality and temperature of your studio bulbs.

I've heard many stories from artists, particularly back before the advent of color corrected lights, who worked all night to finish a painting, under artificial lighting, and were horrified to see their results the following morning, in the light of day. Also, wouldn't this require you lugging your computer and monitor outside as well?
__________________
Marvin Mattelson
http://www.fineartportrait.com
[email protected]
  Reply With Quote