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This first image is from Eugene de Blaas and is interesting because of the placement of the signature. Sometimes it gets to be a challenge as to where to place your mark but on this composition there seems to be other more traditional opportunities. I am of the opinion that the placement of the signature can often act as an integral part of the composition. I don't suggest that this placement is wrong, it's just different.
And another interesting composition from Alphonse Mucha.
1- Portrait of a lady, Pencil-WC-Gouache
2- The Artist , Oil on canvas board, 1920
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Mike McCarty
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