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Old 12-05-2001, 10:21 PM   #11
Karin Wells Karin Wells is offline
FT Pro, Mem SOG,'08 Cert Excellence PSA, '02 Schroeder Portrait Award Copley Soc, '99 1st Place PSA, '98 Sp Recognition Washington Soc Portrait Artists, '97 1st Prize ASOPA, '97 Best Prtfolio ASOPA
 
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Joined: Jun 2001
Location: Peterborough, NH
Posts: 1,114
eek

Yoshiharu,

Basically I obtained as clear a print of a painting as I could find and began to copy it using the underpainting technique. And at first it was very difficult for me to do. I finally settled on an Old Master palette and this made all the difference. See: http://forum.portraitartist.com/show...=&threadid=210

Sometimes, after I did a copy, I was fortunate enough to be in a Museum somewhere and view the original. It was nearly always a rude shock. Although my paintings looked like the print I copied from, the prints seldom looked like the original painting!

Despite this drawback, I learned to paint anyway. I really can't think of any special prepartation...just pick up your brush and begin.
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