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Renee,
Look up my post in the materials & techniques section under "Flesh tint in oils" for ideas on hues to use. There are other valuable bits of info by other artists there.
Don't eliminate cad orange, just keep it on the palette for one of its roles: in the flesh, as a "brightening / warming modifier". Ultramrine is the best blue modifier for the flesh (which you appear to use), but of course, as everything else, it has to be observed and mixed carefully in total context with the color of the light on the form.
Your 'orangy skin' on the painting doesn't bother me at all precisely because of the light context, even if, strictly speaking, it's not 100% 'true' to (yes, Karin, I got it) 'Caucasian baby skin' in that PARTICULAR lighting situation. But it's close enough, in my view, to be perfectly acceptable.
You may also try Grumbacher Pre-tested Cobalt Rose (Cobalt Violet Light), that's how the color is designated, a very weak light reddish purple that mixes wonderfully with, say, the Old Holland Naples Yellow Deep (a must for the flesh) to give you exquisite flesh tones with just the right amount of cool.
Sorry I can't help you with the framing over the holidays, have a very Merry Christmas and a Happy New Year!
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