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02-12-2005, 08:49 PM
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#1
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Juried Member
Joined: Sep 2003
Location: Gainesville, GA
Posts: 1,298
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Sample for a Dance magazine
Hi -
A friend is giving me a full page ad in a dancer's vanity magazine. It's a black and white booklet paid for by the proud parents of dance students.
In return, I am using her daughter as a model. Here are some sample shots - am I on the right track? I personally like the one with only the upper torso - with the red/white/blue theme, but am not sure it will be "dance"- ey enough.
I have closeups of face/hands/feet etc for detail work, but am showing the three main poses to get some feedback. Thanks in advance!
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02-12-2005, 09:01 PM
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#2
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CAFE & BUSINESS MODERATOR SOG Member FT Professional
Joined: Jul 2001
Location: Seattle, WA
Posts: 3,460
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I really wouldn't use any of them. None of the poses flatter her rather heavy figure. Some make her look heavier than she needs to be (the first one, for example.)
I would have her pose, standing, facing three quarters to the camera or maybe almost in profile, in a graceful and upward reaching dance pose, with a traditional dance/ballet outfit (not the one shown in the second example).
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02-12-2005, 09:08 PM
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#3
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Juried Member
Joined: Sep 2003
Location: Gainesville, GA
Posts: 1,298
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Disguising figure flaws
Hi Michelle -
The figure is a problem. These outfits are all she has that are suitable.
The blue one is the most traditional. It really is not flattering to that midriff, though....
This is a low light situation - darn my north light with trees in the way! I was hesitant to try an "action" pose for fear of blurring.
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02-12-2005, 09:11 PM
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#4
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Juried Member
Joined: Sep 2003
Location: Gainesville, GA
Posts: 1,298
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Paper Quality
Hi Chris -
Thanks for your comments. The paper quality will not be that good, so I was racking my brain thinking about how to read like a dancer with just a head and shoulders shot.
Thanks to you and Michelle. Time for photo round no. two.
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02-19-2005, 07:55 PM
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#5
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Juried Member
Joined: Sep 2003
Location: Gainesville, GA
Posts: 1,298
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Photo Round Number Two
Okay -
Here's three that worked pretty well. I prefer the ones with the roses.
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02-19-2005, 09:21 PM
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#6
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Juried Member
Joined: Sep 2003
Location: Gainesville, GA
Posts: 1,298
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Here's a few more
A few more.
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02-12-2005, 09:06 PM
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#7
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SENIOR MODERATOR SOG Member FT Professional, Author '03 Finalist, PSofATL '02 Finalist, PSofATL '02 1st Place, WCSPA '01 Honors, WCSPA Featured in Artists Mag.
Joined: Jun 2001
Location: Arizona
Posts: 2,481
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Dear Julie,
What a great opportunity! It's really important to start with the best photos you can...
That being said, I think you should take more photos. In the first, I can see that there is a fish-eye distortion caused by not being far enough back from your subject to zoom in.
I think you can take photos that would flatter your subject more- sitting up straight and leaning forward, where you are a bit above eye-level. She will look more slender and more dancer- like this way, I believe.
The red white and blue scheme is not relevant since the ad will be in black and white - but the value pattern IS. The RWB scheme ( and the third) is one that results in isolate chunks of dark and middle values. Whatever images you are considering, look at them in black and white/grayscale mode.
Think also about the size of the image in the ad, and how it will be printed. Even at 8 1/2 x 11, there's not much room for a head, let alone a half figure or full figure pose. Also find out about the quality of paper, and whether the magazine is going to a printer, or will be created by a Xerox machine. The poorer the quality of the outcome print, the more important it is to have an image that will read well in that context - small heads that are Xeroxed will be nearly indistinguishable. So here you see me arguing for a head/shoulders or h/s with hands, unless your ad will be printed properly on high quality stock . You might experiment with dance shoes tied and over the shoulder something like that. The dancer's hair and leotard will convey a lot, after all, it's in a dance magazine
Also, you should move your light source to a more oblique position. It's so head on that you are not left with much light/shadow information to convey the form.
Good luck on this exciting opportunity!
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