Portrait Artist Forum    

Go Back   Portrait Artist Forum > Oil Critiques


 
 
Topic Tools Search this Topic Display Modes
Prev Previous Post   Next Post Next
Old 03-22-2003, 10:09 AM   #5
Tom Edgerton Tom Edgerton is offline
SOG Member
'02 Finalist, PSA
'01 Merit Award, PSA
'99 Finalist, PSA
 
Tom Edgerton's Avatar
 
Joined: Jul 2001
Location: Greensboro, NC
Posts: 819
Sergio--

The color harmony in this piece is better than you think. There are but a few adjustments and I believe that you'll be finished.

I perceive a cool highlight/ warm shadow scheme. The extreme saturation of color in the shadow side of the face is atypical, but very effective and unexpected, so it works for me. I would look at warming up the deep shadow areas in other parts of the painting to go along with the head, as in the hands (especially), chair and background. Notice I said warm up, not lighten, as I believe that the shadow values are correctly observed now.

Once the synergy between warm and cool in the head are brought into other areas, the painting will harmonize overall, and really start to work.
__________________
TomEdgerton.com
"The dream drives the action."
--Thomas Berry, 1999
  Reply With Quote
 


Currently Active Users Viewing this Topic: 1 (0 members and 1 guests)
 
Topic Tools Search this Topic
Search this Topic:

Advanced Search
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is Off
HTML code is Off

Forum Jump

 

Make a Donation



Support the Forum by making a donation or ordering on Amazon through our search or book links..







All times are GMT -4. The time now is 07:19 PM.


Powered by vBulletin® Version 3.8.6
Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.