12-29-2002, 05:47 PM
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#9
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FT Pro, Mem SOG,'08 Cert Excellence PSA, '02 Schroeder Portrait Award Copley Soc, '99 1st Place PSA, '98 Sp Recognition Washington Soc Portrait Artists, '97 1st Prize ASOPA, '97 Best Prtfolio ASOPA
Joined: Jun 2001
Location: Peterborough, NH
Posts: 1,114
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My problem with Number 1 is that the light/shadow divide is exactly down the center of the face and that will become a more obvious compositional problem as you begin to paint.
I think that photo Number 2 would make the most interesting painting because of the way the shapes of light and dark interact.
All good painting begins with good abstraction as its solid foundation.
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