Portrait Artist Forum    

Go Back   Portrait Artist Forum > Exercises and Challenges


 
 
Topic Tools Search this Topic Display Modes
Prev Previous Post   Next Post Next
Old 03-27-2003, 11:36 AM   #18
Karin Wells Karin Wells is offline
FT Pro, Mem SOG,'08 Cert Excellence PSA, '02 Schroeder Portrait Award Copley Soc, '99 1st Place PSA, '98 Sp Recognition Washington Soc Portrait Artists, '97 1st Prize ASOPA, '97 Best Prtfolio ASOPA
 
Karin Wells's Avatar
 
Joined: Jun 2001
Location: Peterborough, NH
Posts: 1,114
As an underpainting your study is much too dark. An underpainting is simply a first layer...a map to follow. The values need to be lighter because glazes and scumbles and opaque light will be layered on top. A dense dark layer underneath can make your top layers look "dead" and as you build light it will eventually upset the balance between light and dark.

As a value study you can get away with the overall darkness here as you continue to develop and refine the painting. Personally, I prefer a lighter and warmer value range. My painting of Mme. Ingres below illustrates how I would approach both an underpainting and a value study in one shot. Sorry I don't have a bigger picture for you.
Attached Images
 
__________________
Karin Wells

www.KarinWells.com

www.KarinWells.BlogSpot.com
  Reply With Quote
 


Currently Active Users Viewing this Topic: 1 (0 members and 1 guests)
 
Topic Tools Search this Topic
Search this Topic:

Advanced Search
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

BB code is On
Smilies are On
[IMG] code is Off
HTML code is Off

Forum Jump

 

Make a Donation



Support the Forum by making a donation or ordering on Amazon through our search or book links..







All times are GMT -4. The time now is 07:55 PM.


Powered by vBulletin® Version 3.8.6
Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.