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Old 02-19-2002, 01:05 PM   #7
Karin Wells Karin Wells is offline
FT Pro, Mem SOG,'08 Cert Excellence PSA, '02 Schroeder Portrait Award Copley Soc, '99 1st Place PSA, '98 Sp Recognition Washington Soc Portrait Artists, '97 1st Prize ASOPA, '97 Best Prtfolio ASOPA
 
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Joined: Jun 2001
Location: Peterborough, NH
Posts: 1,114
This is a delicious little painting and I love the "atmosphere" that you have created!

Here is the palette of colors that I use. Note: The "*" indicates opaque colors and ALL the rest are glaze colors:
*Titanium White
Zinc White
*Yellow Ochre Pale (Windsor Newton)
*Yellow Ochre
Cadmium Orange
Raw Sienna
Burnt Sienna
Alizarin Crimson
*Indian Red
Raw Umber
Burnt Umber
French Ultramarine Blue
Prussian Blue
Ivory Black

My Underpaintings are made with a mixture of titanium white and raw umber. When this is dry, I begin to glaze over the surface to achieve a skin tone. (Always, two thin glazes are better than one thick one).

To make a basic skin tone (any ethnic origin), I tend to use one, some, or all of the following glazes: raw sienna (this yellow rather than an opaque yellow), raw umber and burnt umber.

Hope this helps.
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