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01-30-2004, 11:53 PM
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#1
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Juried Member
Joined: Sep 2003
Location: Gainesville, GA
Posts: 1,298
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Thanks!
Thanks Chris-
I really needed to know this. Appreciate it!
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03-05-2004, 06:12 PM
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#2
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SOG Member '02 Finalist, PSA '01 Merit Award, PSA '99 Finalist, PSA
Joined: Jul 2001
Location: Greensboro, NC
Posts: 819
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Julie--
The stretchers poking out in the back don't bother me much when I'm using a lightweight stretcher bar on the smaller pieces, as the framer always backs up the painting with kraft paper anyway.
But like you, when I go to a heavyweight stretcher, I usually get a 1-inch buildup applied in back, as Chris has described, and the canvas is completely contained then. It adds more illusion of "mass" too, to the frame when viewed from the front, which works nicely with the larger paintings.
Best--TE
__________________
TomEdgerton.com
"The dream drives the action."
--Thomas Berry, 1999
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03-06-2004, 10:12 AM
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#3
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Juried Member
Joined: Sep 2003
Location: Gainesville, GA
Posts: 1,298
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Build Up
Thanks, Tom.
Quote:
Originally Posted by Tom Edgerton
Julie--
The stretchers poking out in the back don't bother me much when I'm using a lightweight stretcher bar on the smaller pieces, as the framer always backs up the painting with kraft paper anyway.
But like you, when I go to a heavyweight stretcher, I usually get a 1-inch buildup applied in back, as Chris has described, and the canvas is completely contained then. It adds more illusion of "mass" too, to the frame when viewed from the front, which works nicely with the larger paintings.
Best--TE
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