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Originally Posted by Sharon Knettell
One of the reasons I like a limited palette is I can play the colors more or less like a piano. I know where they all are and what they do vis-a-vis each other.
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Indeed, this is exactly what I'm trying to teach myself, just my piano has a few less keys. Five is quite enough to get confusing for me
Richard, thanks, now I understand exactly what you mean. It's funny, I've been trying to get my head around this very thing lately, and you've crystalised it for me perfectly.
I recently had some trouble with a painting, trying to match the intensity of the highlights on a piece of white cloth. I've been getting a bit obsessive with matching the colours of nature as closely as I can, so I'm always questioning whether or not some colours are impossible to match, although I may be thinking more of value than chroma. I've
wondered on occaision whether it would make sense to put in the lightest highlight first, and work down from there, using values relative to that highlight rather than the values in 'reality'.
It wasn't until after I finished this painting the other day that it struck me that I was facing the window, so my canvas was in shadow. Big head-slapping moment. Of course my white paint wasn't as light as the highlight on the cloth,
it was in shadow! But it got me thinking about the differences between the small world I'm trying to make in my painting, and the reality out there, and whether sometimes you have to depart from reality in order to make something appear more - real.
I suspect I'm not exlaining this nearly as clearly as you did, but I hope you get the idea. I should probably mention that I'm just learning right now, which is why I'm spending some time trying to match colours in nature, nature being the best teacher.
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Originally Posted by Richard Bingham
using the power of intense color to make a statement or emphasize, or lead the eye.
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Now don't start on that, I've got enough to think about as it is!
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