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Old 12-17-2006, 05:31 PM   #1
Grethe Angen Grethe Angen is offline
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Allan, your work is outstanding. I think next l you will be painting Her Majesty Dronning Margrethe.
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Old 02-02-2007, 08:41 PM   #2
Allan Rahbek Allan Rahbek is offline
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Quote:
Originally Posted by Grethe Angen
Allan, your work is outstanding. I think next l you will be painting Her Majesty Dronning Margrethe.
Thank you , Grete,
I will see if I can squeeze her in

Lately I have adjusted on the portrait. I felt that the background was no good so I changed the color by scumbling, and softened the edges on the dress and pushed up the colors a bit.
So this is how it looks today.
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Old 02-03-2007, 12:36 PM   #3
Thomasin Dewhurst Thomasin Dewhurst is offline
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I love the solidity and structure of the head and neck, Allan: the working of them together into one convincing mass. The muscle structure in the neck really shows it to be convicingly holding up the weight of the head. It give such a good feeling of reality and character. And I love the brush marks that render it because on close viewing they are so unexpected - i.e they leave you wondering just how you did it. That's genius! I meant it. It makes for a profound painting.

(one of my nicest memories in childhood was taking a boat trip from the UK to Denmark. I was about 5 or 6 and thought it was so lovely and green and clear there. My brother and I both had t-shirts in the design of the Danish flag and which said "Danmark" on them)
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Old 02-03-2007, 03:59 PM   #4
Jean Kelly Jean Kelly is offline
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Allan. I've loved this one since you started it, way back when. And you are still diddling. I think you need to paint about twenty portraits of your wife and get this out of your system!

I've always loved your brushwork, it is solid and honest. This is a complex portrait of a woman I would like to meet.

Jean
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Old 02-06-2007, 08:08 PM   #5
Allan Rahbek Allan Rahbek is offline
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Thomasin and Jean, thanks,

Yes, I am still diddling and fiddling with details trying to make that .... background function.
I think that I need to frame it before I can finish it completely.
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Old 02-06-2007, 08:20 PM   #6
Cynthia Daniel Cynthia Daniel is offline
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Very sensitive and beautiful! I love it.
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Old 02-06-2007, 08:26 PM   #7
Mike McCarty Mike McCarty is offline
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I think it looks real nice, Alan. I think the background works well as is.

I'm amazed at how much the addition of a frame can impact how you feel about a painting and how they can influence your decisions on many levels. I think that ideally you should frame them about three quarters of the way into the painting.

Something that's this personal you just don't want to let the process end.
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Old 02-06-2007, 08:48 PM   #8
Allan Rahbek Allan Rahbek is offline
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Quote:
Originally Posted by Mike McCarty
Something that's this personal you just don't want to let the process end.
You are right Mike, I don't want the process to end, it never crossed my mind.
I believe that we only paints one painting in our lives, distributed on several canvases. The process never ends, luckily.

This portrait has a wider background than I use to do. I did that because I often feel that the frame 'strangles' the painting a bit if there is not enough space around the face.

I remember reading that De Laszlo always had the frame on when he painted.

Cynthia,
thanks for your kind approval.
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