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05-25-2007, 12:32 PM
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#1
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Approved Member
Joined: Sep 2002
Posts: 1,730
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Steve,
Try www.studioproducts.com Optical White. It is really slurpy and when mixed with other colors it makes them really fluid. It also does not deaden the color like other whites, they remain quite brilliant when you want them to be. Also, I have found I do need retouch varnish or oiling out as the color does not sink in.
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05-25-2007, 01:56 PM
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#2
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SOG Member FT Professional '04 Merit Award PSA '04 Best Portfolio PSA '03 Honors Artists Magazine '01 Second Prize ASOPA Perm. Collection- Ntl. Portrait Gallery Perm. Collection- Met Leads Workshops
Joined: May 2002
Location: Great Neck, NY
Posts: 1,093
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Go Beaux go!
Cecelia Beaux was considered among the top American artists during her lifetime and this show is long overdue, in that regard. She was world renowned and hugely successful winning top awards and reviews from the powers that be.
I've just returned from Atlanta, where I led two workshops. One evening, after class, the participants of my portrait drawing workshop and I went to see the exhibit at the High. The paintings were absolutely magnificent and the high point (pun intended) of my visit. I can't wait to come back in July for another peek.
I may be mistaken here but I believe Studio Products were not in existence 100 years ago so I doubt she used any of their concoctions. My guess would be that she used either stand oil or sun thickened linseed oil with a bit of thinner.
Personally, I feel that great painting is more a function of who's holding the brush than what the brush was dipped into.
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05-25-2007, 02:50 PM
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#3
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Approved Member
Joined: Sep 2002
Posts: 1,730
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Quote:
Originally Posted by Marvin Mattelson
I may be mistaken here but I believe Studio Products were not in existence 100 years ago so I doubt she used any of their concoctions. My guess would be that she used either stand oil or sun thickened linseed oil with a bit of thinner.
Personally, I feel that great painting is more a function of who's holding the brush than what the brush was dipped into.
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Marvin, really. They were not in production 100 years ago! Qu'un surprize! Were Micheal Hardings available then?
As a long time brush dipper, of probably little regard, I found the loose quality of the paint quite delicious and handled quite differently without the use of mediums and was just passing it along. It was quite different than using the Micheals Harding #2, which, tho' I adore his paints, is getting quite sludge-like.
Marvin you do not have to use it, nor does anyone else.
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