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05-11-2008, 06:56 PM
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#1
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Associate Member SoCal-ASOPA Founder FT Professional
Joined: Sep 2002
Location: Laguna Hills, CA
Posts: 1,395
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Clayton, you must have posted while I was typing, so I missed your wonderful reply.
Quote:
a careful study in value and edges coupled with a strong sense of the color range of the surrounding area. Juxtaposition is the key.
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YES! You hit it on the nail, it all makes sense now. Great examples, by the way...
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05-13-2008, 09:31 AM
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#2
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Juried Member
Joined: Feb 2007
Location: Austin, TX
Posts: 50
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Notice the higher level of chroma present in these situations. In the effect of translucency of skin, particularly at the ear, I find it helpful to keep the underpainted layer lean and bright.
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05-14-2008, 11:16 AM
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#3
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Associate Member SoCal-ASOPA Founder FT Professional
Joined: Sep 2002
Location: Laguna Hills, CA
Posts: 1,395
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Thank you David, yes I see what you mean.
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05-14-2008, 11:39 PM
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#4
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Juried Member
Joined: Nov 2007
Location: Halifax, Canada
Posts: 63
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I subscribe to the GJ too and look forward to reading it every day. Loved the post you referred to.
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05-15-2008, 09:51 AM
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#5
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Associate Member SoCal-ASOPA Founder FT Professional
Joined: Sep 2002
Location: Laguna Hills, CA
Posts: 1,395
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Mary Ann, thank you. I try to read GJ as often as I can as well. James is very knowledgeable and I love his sense of humor. I loved his post about painting hair, where he actually donned a mop! I was laughing so hard, tears were coming down my cheeks!
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