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Originally Posted by Jimmie Arroyo
No surprise how beautiful it its. I do have to admit, it feels different than your other paintings. It's more alive, fresh, as in capturing a moment in time as oppossed to the formal or posed portraits. It's better than a snapshot. I love the way you can handle a brush, and with the closeups of the hair, it's looks like you can handle the opposite end of the brush also.
There is so much movement, I can envision her moving back and forth and side to side with the fence as her support. Beautiful expression. You, and the new owner of the painting are blessed.
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Dear Marvin, Jimmie, and Tim,
Thanks so much for your enthusiastic and affirmative responses. I had no idea this humble painting would get the response it has. You have all made my day.
Marvin, thanks for liking the color relationships. I have to credit my wife's fine eye for the outfit worn that day, but I always loved that peculiar faded yellow-green sweater against the denim dress. The figure is more or less a co-relationship of very understated primary colors off set by the more neutral background. Soft colors seem to work well with small children. Just a few months back, I scrubbed an indanthrone blue glaze over all the background, then rubbed it all off again as hard as I could. It left it's mark none-the-less, and the slight blue shift seemed to add a little cohesion to the neutral tones and give a subliminal affinitive resonance with the dress. This also set off the partial warmth in the flesh tones better. While quite fair, my daughter's black/white heritage, makes complex, subtle undertones seem slightly elusive to establish, never-the-less there's unmistakable fidelity in her soft rosy glow.
Jimmie: Ha! You caught me in the act of agressively digging and scribbling with the wrong end of the brush. It felt good, and chances are good I'll do some more on paintings to come. She was moving at the moment I captured her. There is no way of conceiling this fact. Generally this can present a challenge in portraiture when a static, naturally focused pose that a sitter can hold for some time, is usually the ideal. But after all, don't kids at this age move around a lot?
Tim: Thanks! Why can't I always remain painterly? It's tough some times.
Thanks again for your insights.
Garth
Hybrid Mode
