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04-28-2004, 03:59 PM
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#1
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Juried Member
Joined: Apr 2004
Location: Litchfield Park, AZ
Posts: 113
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Quote:
Originally Posted by Sharon Knettel
More emphasis was placed on expressing yourself, just how we were able to do that without the neccesary skills was not apparent.
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My university drawing instructor told me, "I can teach you to render an object in a couple of hours, but what you really need to learn is how to express yourself."
She taught me nothing.
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06-12-2006, 02:31 AM
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#2
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Juried Member FT Professional
Joined: Jan 2005
Location: Port Orchard, WA
Posts: 208
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Quote:
My university drawing instructor told me, "I can teach you to render an object in a couple of hours, but what you really need to learn is how to express yourself."
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This sounds so much like my youth. I think it may have been that generation. I was told my work, and my ambitions, were too 'old fashioned' in college. I too learned nothing. Now, after having raised seven children I am trying desperately to get back to where I wanted to be back then. Thank you for this inspiration Mr. Whitaker! I had the opportrunity to see some art students working on similar pieces using a grid (something I had never even heard of until a couple of years ago). Although I have never done these exercises, nor have I worked with a cast before, I am seriously considering finding one to work from. I feel there is so much to learn and so little time left for me! Work indeed it is laborsome but such a joy to do.
Dianne
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06-13-2006, 01:58 AM
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#3
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STUDIO & HISTORICAL MODERATOR
Joined: Apr 2002
Location: Southern Pines, NC
Posts: 487
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I'm glad this popped back to the top - had forgotten where Bill had posted Lauren's drawing of Ariadne - it's a real pleasure to see it again.
Dianne, excellent casts can be purchased from Guist Gallery online.
Most academies start all students - no matter what experience level - with two-dimensional copies - the Bargue drawings are compiled in an excellent book by Gerald Ackerman, the "Charles Bargue Drawing Course." This establishes a common language for critiquing the work based on absolute observation.
Enjoy your studies!
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06-13-2006, 10:40 AM
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#4
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Juried Member FT Professional
Joined: Jan 2005
Location: Port Orchard, WA
Posts: 208
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Mari, thank you for this source of information.
Dianne
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06-13-2006, 07:55 PM
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#5
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SOG Member
Joined: Jun 2003
Location: Portland, OR
Posts: 549
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I love this exercise idea and plan to give it a go. I've got plenty of sculpture busts sitting around to try to draw!
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06-23-2006, 11:13 AM
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#6
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Juried Member
Joined: Feb 2006
Location: Oka, Canada
Posts: 9
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When I was in school taking illustration & design courses they tried to teachtoo many varying subjects in too short a time to get really in depth. Looking back now what I really wanted was some solid life drawing. I did, however, manage to borrow two plaster casts the school had of Michelangelo's David (one of the nose and one of the mouth).....and I have yet to return them 10 years later.
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06-23-2006, 02:18 PM
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#7
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Approved Member
Joined: Sep 2002
Posts: 1,730
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Jason,
Are you still working from them?
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06-23-2006, 10:12 PM
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#8
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Juried Member
Joined: Feb 2006
Location: Oka, Canada
Posts: 9
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No, I meant as a student.
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06-23-2006, 11:11 PM
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#9
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Approved Member
Joined: Sep 2002
Posts: 1,730
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Don't you think you should return them if you're not using them?
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06-24-2006, 10:14 AM
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#10
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Juried Member
Joined: Apr 2004
Location: London,UK
Posts: 640
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A question : I am getting ready to go home to Italy for the summer, where I was planning to start working on Bargue's plates.
Will I have to work standing with messy charcoal or can I just work in pencil at a table?
I understood that instructions on copying are very precise, and the course is only worth doing if done properly.
I wasn't planning on travelling with the easel but I can anyway.
Ilaria
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