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Old 04-28-2004, 03:59 PM   #1
Kimber Scott Kimber Scott is offline
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Quote:
Originally Posted by Sharon Knettel
More emphasis was placed on expressing yourself, just how we were able to do that without the neccesary skills was not apparent.
My university drawing instructor told me, "I can teach you to render an object in a couple of hours, but what you really need to learn is how to express yourself."

She taught me nothing.
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Old 06-12-2006, 02:31 AM   #2
Dianne Gardner Dianne Gardner is offline
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Quote:
My university drawing instructor told me, "I can teach you to render an object in a couple of hours, but what you really need to learn is how to express yourself."
This sounds so much like my youth. I think it may have been that generation. I was told my work, and my ambitions, were too 'old fashioned' in college. I too learned nothing. Now, after having raised seven children I am trying desperately to get back to where I wanted to be back then. Thank you for this inspiration Mr. Whitaker! I had the opportrunity to see some art students working on similar pieces using a grid (something I had never even heard of until a couple of years ago). Although I have never done these exercises, nor have I worked with a cast before, I am seriously considering finding one to work from. I feel there is so much to learn and so little time left for me! Work indeed it is laborsome but such a joy to do.

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Old 06-13-2006, 01:58 AM   #3
Mari DeRuntz Mari DeRuntz is offline
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I'm glad this popped back to the top - had forgotten where Bill had posted Lauren's drawing of Ariadne - it's a real pleasure to see it again.

Dianne, excellent casts can be purchased from Guist Gallery online.

Most academies start all students - no matter what experience level - with two-dimensional copies - the Bargue drawings are compiled in an excellent book by Gerald Ackerman, the "Charles Bargue Drawing Course." This establishes a common language for critiquing the work based on absolute observation.

Enjoy your studies!
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Old 06-13-2006, 10:40 AM   #4
Dianne Gardner Dianne Gardner is offline
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Mari, thank you for this source of information.


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Old 06-13-2006, 07:55 PM   #5
Heidi Maiers Heidi Maiers is offline
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I love this exercise idea and plan to give it a go. I've got plenty of sculpture busts sitting around to try to draw!
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Old 06-23-2006, 11:13 AM   #6
Jason de Graaf Jason de Graaf is offline
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When I was in school taking illustration & design courses they tried to teachtoo many varying subjects in too short a time to get really in depth. Looking back now what I really wanted was some solid life drawing. I did, however, manage to borrow two plaster casts the school had of Michelangelo's David (one of the nose and one of the mouth).....and I have yet to return them 10 years later.
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Old 06-23-2006, 02:18 PM   #7
Sharon Knettell Sharon Knettell is offline
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Jason,

Are you still working from them?
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Old 06-23-2006, 10:12 PM   #8
Jason de Graaf Jason de Graaf is offline
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No, I meant as a student.
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Old 06-23-2006, 11:11 PM   #9
Sharon Knettell Sharon Knettell is offline
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Don't you think you should return them if you're not using them?
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Old 06-24-2006, 10:14 AM   #10
Ilaria Rosselli Del Turco Ilaria Rosselli Del Turco is offline
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A question : I am getting ready to go home to Italy for the summer, where I was planning to start working on Bargue's plates.
Will I have to work standing with messy charcoal or can I just work in pencil at a table?
I understood that instructions on copying are very precise, and the course is only worth doing if done properly.
I wasn't planning on travelling with the easel but I can anyway.
Ilaria
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