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Old 07-28-2006, 11:40 AM   #1
Chris Saper Chris Saper is offline
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Thanks Alex -

The Open Sessions are very unstructured and left pretty much up to the Instructor of the Week. I think that they allow 12 -14 students in most of the sessions, and artists pay $40 for the day. There is one live model and one still life set-up, and people just choose which they want to work on - or both if they'd like.

Some of the instructors are portrait or figure painters, and some are still life painters - so usually someone who is interested in still life would select an open sessiion where the instructor of the week could be more helpful to them. I think that sometimes the instructor just uses the time to do his or own open session, and is available if students have questions. In my case I turned it into a mini-class, and as I seem to be able to talk and paint at the same time ( that might not be a good thing )I just keep a running dialog gong all day.

Students don't have to pay attention to anything they don't want to- so they can just work on their own thing, too.

I really love these sessions and plan to sign up as a student as often as possible. It's a luxury to have a live model for 6 hours, with a limited number of painters. Very often the School's regular Open Studios are packed.
Linda Brandon did one of these so Linda, if you see this you might jump in, or post seprately.
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Old 07-28-2006, 04:37 PM   #2
Carol Norton Carol Norton is offline
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sunny smile So Beautiful

Ahhhhh, sigh. So beautiful...and I missed it. Darn. I even love the drips at the bottom.
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Old 07-28-2006, 07:44 PM   #3
Alexandra Tyng Alexandra Tyng is offline
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What a good idea! I wonder whether this kind of thing is done at the art centers around here. Thanks so much for explaining.
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Old 08-13-2006, 11:20 AM   #4
Michele Rushworth Michele Rushworth is offline
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This is so sculptural. I love the high contrast ratio and the classic positioning of the light and shadow shapes.
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Old 08-14-2006, 07:27 AM   #5
Cindy Procious Cindy Procious is offline
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Chris, what a gorgeous painting. You should paint over old paintings more often.

What makes the pink paint drip like that at the bottom? I like the effect. Is it thinned with turpentine, OMS, or is it some other medium?
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Old 08-14-2006, 10:41 AM   #6
Chris Saper Chris Saper is offline
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Thanks!

The paint drip is due to: 1) Needing to anchor the composition to the bottom; 2) No more time left; and 3) Lots of OMS left
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Old 08-15-2006, 07:37 AM   #7
Cindy Procious Cindy Procious is offline
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Thanks for the info.

I'm looking for ways to impart some visual interest/texture into my backgrounds, and I thought I'd try some drips. I see a lot of paintings (particularly still lifes) that have lovely drips.

I wonder if there would be any issues with adhesion/fat over lean?
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Old 09-02-2006, 04:58 PM   #8
Jeanine Jackson Jeanine Jackson is offline
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Lovely!

Dear Chris,
My sincere compliments on keeping this fresh while digging into the spirit of your sitter. Those eyes are amazing!
Jeanine
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