Juried Member FT professional, '06 finalist Portrait Society of Canada, '07 finalist Artist's Mag,'07 finalist Int'al Artist Mag.
Joined: Feb 2006
Location: Montreal,Canada
Posts: 475
Quote:
Originally Posted by Jeff Fuchs
I thought it was an oil painting.
Thank you Jeff! It appears that most of my charcoal-sanguine drawings look like painting. I'm glad you told me that: it means that this one makes no exception...
Lisa,
thanks a lot!
Thomasin,
yes I was relax to draw this one, like you with your lovely watercolor, I just allowed me more sentimentality and sweet emotion than in my drawing "Unveiling"...
Another excellent, exquisite piece, Marina! You pose your children in such a unique, unaffected, and natural way. This, coupled with your mastery and dominion of your medium make your work truly irresistible, and a joy to keep coming back to look at. (and that tiny bookcover is such a little gem!)
I'm hesitant to ask, because I hate to pry, but could you speak to the metaphorical meaning of the work? The child with bird metaphor held a specific meaning at the turn of the 20th century - what does it mean in this work?
Lovely, Marina. Your marks are so unforced, as though you are telling us a story with great confidence and relaxation. You obviously enjoy what you do very, very much. Very well done!
SOG Member FT Professional '09 Honors, Finalist, PSOA '07 Cert of Excel PSOA '06 Cert of Excel PSOA '06 Semifinalist, Smithsonian OBPC '05 Finalist, PSOA
Joined: Mar 2004
Location: Philadelphia, PA
Posts: 1,445
Dear Marina,
You get better and better! I don't think there are adequate superlatives for a mastepiece of this accomplishment level. How you imply a full spectrum of color happening from just black, red, and sanguine, is pure magic! I love everything about the composition and content of this drawing. In response to this, one could compose a best selling child's book of verse that would celebrate this masterpiece for generations; it's that compelling! Bravo!