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Originally Posted by Peter Dransfield
I accept your distinction between illusionistic reality and photographic reality but neither are the inevitable objective of an artist.
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In who's universe? Verisimilitude has been the ultimate goal for many great artists for centuries. I personally reject the term 'tight' because it is a pejorative term that in no way describes what I seek achieve. You are also seeing my life size paintings reduced to the size of postage stamps at 72 dpi and judging the quality of my paint application? In reality, my paintings are more lifelike and much softer that they appear online. But I digress.
My point is that far too many 'artists' have lost their way due to the modern art aesthetic propaganda machine. Rampant commercialism has all but usurped the quality of humanity from painting. Cezanne was as heavy handed as they come. He could endulge his whims because he was wealthy and didn't need to make a living. Apart from Renoir, he's the most over rated of the 19th Century moderns.
It's very easy to mislabel something deeply humanistic and spiritual as sentimental. Creating broad sweeping labels is the way that the modern movement dismisses all work of merit which doesn't adhere to the justification of 'establishing a dialogue about one's work.'
Richard, I thought we were great buddies!
Hybrid Mode
