Composition decision

[Steven Sweeney]

Yes, go with this, I think. I think the pose ideal -- you're not going to be able to duplicate that. And it's astute of you to realize the hazards of moving things around a lot and messing with the flow of light over the forms.

Final, parting thought is to keep the value of the orchids in check, so as not to approach and compete with the value of the white clothing. That will also slightly reduce the contrast between the value of the orchids and the background, which in turn will make them "less important" to the eye and reduce the pull of attention away from the mother and child and up into the corner. Shouldn't need a lot of detail, either, for the same reason. These will clearly be orchids, even without every dangly bit.

Good luck!

[Steven Sweeney]

Okay, final parting thought #2.

The background values are very close to the those of the portrait subjects. I'd take everything but the mother and daughter down a half-step in value at least. This will bring focus to bear upon the subjects, and create depth in your painting.

[John Reidy]

Amanda,

One other thought to add to Steven's, you might try to grey down and reduce the overall contrast to the background. I feel as if the tableround is crowding the stars.

Also, be sure to straighten that lamp.