Julie, thanks for pointing out that angle of portraiture. Still, for women to distinguish themselves it is helpful, at some point, to accrue a few awards and other distinctions in order to be in the running for the "top" commissions.
Nancy Bea, thanks for posting that articulate and thoughtful response! I just wanted to add a thought about the women you describe below:
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Originally Posted by Nancy Bea Miller
there are some women who will never feel the subtle sting of prejudice. There are a lucky few in every generation: often lifted over the obstacles by painter fathers or family friends/connections in the art world. I say more power to them. Just don't let them be used as "evidence" that the very real inequality most women artists face is non-existent.
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I agree, we must not use these woman as evidence. I suspect they are not unaware that their status has a down side. Once a woman is lifted up or advanced by her association with a male mentor/husband/father, she forfeits the chance to prove herself on her own! Inevitably some people question whether that woman could have risen that far that fast without this advantage. These women become the butt of snide remarks to that effect even if they are supremely talented. I think it's only fair to these artists to evaluate their work on its own merit.
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